COMPOSITIONS / ORCHESTRAL / LE CAFÉ DE NUIT (2017)
Le Café de Nuit (2017)
For orchestra
- 13 min
- Donemus Publishing
- January, 2018
LE CAFÉ DE NUIT (2017) is a 13-minute fantasia/nocturne for orchestra, based on the painting (with the same name) by Vincent van Gogh, and the letters he wrote to this brother Theo during his stay in Arles, where he rented a studio above the café. In the letters, he describes this place as “a place where you can ruin yourself, go mad, commit crimes”.
This subject really interested me as a composer as there is really a conflict within the concept of a café. Usually, one goes to a café to escape the ongoing world and everyday problems, to dance, to celebrate life and to drink and go drunk to immerse oneself in a different reality. However, there is a danger, as van Gogh states, as the café also influences the world outside. It is a place where the darkest side of human behaviour emerges. In the piece I tried to find this strange balance between joy and danger, between alertness (or even panic) and being drunk, between passion and truth.
First performance
Conductor | Nicholas Collon |
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Ensemble | Residentie Orkest |
General information
Instrumentation | 3.3.3.3 | 4.3.3.1 | perc. timp. hp. cel. pf. | 14.12.10.8.6 |
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Commissioned by | NTR Zaterdagmatinee (with financial support from Fonds Podiumkunsten) |
Written for | Residentie Orkest |
“De Graaff, who grew op on the Isle of Terschelling and studied at The Hague Conservatory, succeeds well, in the grossly 13-minute long, intriguing orchestral work, to summon an atmosphere of hedonism and constant threat. Stylistically, the piece flows in every direction, tonality is not eschewed and his control of the orchestral palet is remarkable for someone of 26 years old. Go listen!”
ERIK VOERMANS
Het Parool
“The composition, with some ‘Debussyan’ harmonic gestures, becomes more interesting when the rhythmical components are getting more attention. A good find was the last line -played by the horn- being cut off by a muffled thud.”
MERLIJN KERKHOF
De Volkskrant
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