COMPOSITIONS / MUSIC THEATRE / HAGAR (2025)
Hagar (2025)
an opera in 4 scenes
- 70 min
- Donemus Publishing
- August, 2025
A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, HAGAR is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.
Set within the searing pressure of a high-end restaurant, we are thrown into the flames from the very first word. With an exceptional score from de Graaff, that fuses contemporary opera with kitchen-born percussion, set to the captivating and driven words of Barlow, the audience is forced along a journey where loyalties might not be what you expect.
In a high-pressure kitchen where dreams, desire, and duty collide, three lives are pushed to their limits. Abram, a passionate and dedicated head chef, has long yearned for a child, a dream that he and his wife, Sarai, the sharp and composed manager of their struggling restaurant, have never been able to live.
Their professional world is precise and controlled until something deeply personal upends that fragile order. When a trusted colleague and close friend become entwined in a secret too heavy to bear, the emotional stakes rise. Hope, guilt, and betrayal simmer beneath the surface, threatening to boil over. Sarai’s dignified silence conceals a storm of pain as Hagar clings to a naive hope that friendship can survive even this.
As economic pressures mount and scathing reviews pour in, the kitchen becomes a battleground, not just of culinary craft but of repressed truths. A split-second of distraction, a lapse in judgment, and tragedy strikes. The near destruction of not just their restaurant becomes a fiery reckoning, forcing all three to confront the damage done and the deep fractures beneath the surface.
In the aftermath, they are left with one burning question… can what’s been broken ever truly be rebuilt?
Hagar is scored for 5 voices and a large orchestra and has been commissioned by De Nederlandse Reisopera for their 70th anniversary. The first performance will take place on 28th of September 2025 in a staging by Belle van Heerikhuizen, conducted by Lochlan Brown, and performed by Hagar Sharvit (Hagar), Alison Scherzer (Sarai), Barnaby Rae (Abram), Fiona Kimm (Gertrude) and Glen Cunningham (Gabriel), accompanied by the North Netherlands Symphony Orchestra.
Opera Hagar is a part of the production ‘Second Love’.
first performance
Staging | Belle van Heerikhuizen |
---|---|
Conductor | Lochlan Brown |
Ensemble | North Netherlands Symphony Orchestra |
Hagar | Hagar Sharvit |
Sarai | Alison Scherzer |
Abram | Liam James Karai |
Gertrude | Fiona Kimm |
Gabriel | Glen Cunningham |
General information
Libretto | Eleanor Barlow |
---|---|
Instrumentation | 3 (2= picc, a.fl, 3 = picc) 2 (2=ca) 2 (2 = bcl) 2 (2= c.bsn) sax 4331 timp perc hp cel str (10.8.6.4.3) |
Commissioned by | De Nederlandse Reisopera |
"(...) As a true vocal artist she sings, spits and caresses the witty verses. De Graaff utilises her flexible voice in evocative melodies, full of surprising turns of phrases. The songs are at its most lucid when they are accompanied sparsely, only using a piano or flute solo. The fear of the conspiracy theorist is portrayed though by the whole ensemble in the grinding, sinister chords of the interludes. (...)"

CD now available!
The collectors
You can now get your own copy of The Bells of St. Clement’s in de CD “The Collectors”, where it’s performed by Konstantyn Napolov & Eke Simons.
More information
Performed by: Konstantyn Napolov & Eke Simons.
Recorded by: TRPTK (TTK 0027)
Interviews
“Human beings have always been naturally inclined to develop religious feelings. If that doesn’t happen, they will grasp at any substitute they can find.”
BAS VAN PUTTEN, CULTUREEL PERSBUREAU
Read the full article (NL)
“Ultimately, I hope to challenge the audience to reflect on how well they can distinguish contrasts between the sound of the text, the music, and the meaning of the words. After all, to what extent are you, as the audience, willing to go along with this delusion—this absurd belief—if it offers you a momentary escape from reality?”
FESTIVAL DAG IN DE BRANDING
Read the full article (NL)
“Conspiracy theorists are often dismissed as people who can’t think critically, as malicious lunatics. But that’s too easy,” says De Graaff. He prefers to describe them as people for whom “faith in the model” is not receptive to empirical evidence: “And that connects to our work, the creative process. Just like us, these people create their own world.”
JOEP STAPEL, NRC
Read the full article (NL)
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