COMPOSITIONS / CHAMBER / THE BELLS OF ST. CLEMENTS (2018)
The Bells of St. Clements (2018)
For Piano and Metal Percussion
- 18 min
- Donemus Publishing
- July, 2018
THE BELLS OF ST. CLEMENTS is a piece in three movements based on the English nursery rhyme “Oranges and Lemons (say the bells of St. Clements).” This rhyme plays an important role in George Orwell’s novel 1984. In the book, the rhyme symbolizes the idea that freedom in a totalitarian society may be just another form of oppression, where hope is a terrible illusion.
In this piece, the musical instruments attempt to break free from their mechanical form and move toward a more fluid, almost impressionistic sound world. In the first movement, this is heard in the melody; in the second, in the rhythm; and in the third and final movement, in the harmony. However, the pulsing ultimately remains and becomes increasingly dominant, eventually destroying all that is beautiful.
First performance
Percussion | Konstantyn Napolov (Adams percussion instruments), Zildjian Cymbals and Mike Balter Mallets |
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Piano | Eke Simons |
General information
Instrumentation | Piano and Metal Percussion |
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Commissioned by | Gaudeamus Muziekweek, with financial support from Fonds Podiumkunsten |
Composed for | Duo Simons|Napolov as part of the Dutch Golden Collection |
“A clear example on this disc would be “The Bells of St. Clement’s” by the young and very productive composer Jan-Peter de Graaff. The piece is based on the English Nursery Rhyme “Oranges and Lemons”, which plays a significant part in the famous futuristic novella ‘1984’ by George Orwell, symbolising the illustrious hope of freedom within a totalitarian regime. Beautiful to hear how this work starts with razor-thin, crystal-like sounds. This alone is already a sensation to listen to.”
OPEN KLASSIEK
Maarten Brandt

CD now available!
THE BELLS OF ST. CLEMENTS (2018)
Music for piano and percussion, music that can be more expressive and explosive than any other duo imaginable. The beautiful sonority of a big Fazioli grand piano, combined with the raw force and timbral structure of a giant set of percussion, and even some electronics here and there.
More information
Performed by: Konstantyn Napolov & Eke Simons.
Recorded by: TRPTK (TTK 0027)
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